[Ceramic Piece Title]
A concise note on proportion, glaze, and why this object belongs in the self-portrait.
This site is an ongoing catalog of objects—ceramics, glass, metalwork, prints— that together describe what I value in form, proportion, and quiet beauty.
One object at a time, considered closely.
A short, focused text on why this piece matters—its quietness, its tensions, its place in your personal history of looking and collecting.
Selected pieces that trace a line through Moderne, mid-century, and beyond.
A concise note on proportion, glaze, and why this object belongs in the self-portrait.
Quiet transparency, a study in light and volume.
Hammered surface, controlled ornament, evidence of the hand.
A counterpoint in two dimensions, in dialogue with the objects.
Occasional posts when an object or idea insists on being seen.
Some pieces do not ask to be looked at from across the room; they reward the distance of an arm and the time it takes to trace a curve with your eyes...
This site is an ongoing experiment in using objects as autobiography. It is not a comprehensive record of a collection, but a curated selection of works that have, at one time or another, felt essential.
The emphasis is on intimacy, proportion, and the sense that a piece could not be otherwise than it is.